Silent Films

A Perfect Crime (Allan Dwan, 1921)
Gold Heels (W.S. Van Dyke, 1924)
Dick Turpin (John G. Blystone, 1925)
Marriage in Transit (Roy William Neill, 1925)
Hearts and Spurs (W.S. Van Dyke, 1925)
Durand of the Bad Lands (Lynn Reynolds, 1925)
The Road to Glory (Howard Hawks, 1926)
Smith’s Pony (Alfred J. Goulding, 1927)
A Gold Digger of Weepah (Harry Edwards, 1927)
My Best Girl (Sam Taylor, 1927)
The Girl from Everywhere (Edward F. Cline, 1927)
Run, Girl, Run (Alfred J. Goulding, 1928)
The Beach Club (Harry Edwards, 1928)
Smith’s Army Life (Alfred J. Goulding, 1928)
The Best Man (Harry Edwards, 1928)
The Swim Princess (Alfred J. Goulding, 1928)
The Bicycle Flirt (Harry Edwards, 1928)
His Unlucky Night (Harry Edwards, 1928)
Smith’s Restaurant (Phil Whitman, 1928)
The Divine Sinner (Scott Pembroke, 1928)
The Girl from Nowhere (Harry Edwards, 1928)
The Campus Carmen (Alfred J. Goulding, 1928)
Power (Howard Higgin, 1928)
Me, Gangster (Raoul Walsh, 1928)
Motorboat Mamas (Harry Edwards and Phil Whitman, 1928)
Show Folks (Paul L. Stein, 1928)
Hubby’s Weekend Trip (Harry Edwards, 1928)
The Campus Vamp (Harry Edwards, 1928)
Ned McCobb’s Daughter (William J. Cowen, 1928)
Matchmaking Mamma (Harry Edwards, 1929)
Don’t Get Jealous (Phil Whitman, 1929)