Skip to content
  • Home
  • Blog
  • Quick Facts
  • Articles
    • 1920s
      • The Los Angeles Examiner (July 6, 1927)
      • “Three Comedy Units Underway at Sennett Studio” (The Los Angeles Times, July 17, 1927)
      • “Cheek Scar Value Put Up to Judge” (The Los Angeles Times, October 13, 1927)
      • “Suit Over Scar on Girl Settled” (The Los Angeles Times, October 15, 1927)
      • “A Teddy-Made Actress” (Motion Picture, May 1929)
      • “Lombard – Unlimited” (Screenland, September 1929)
    • 1930s
      • “Another Three Cheers” (Picture Play, December 1930)
      • “Home Town Stories of the Stars” (New Movie Magazine, September 1931)
      • “What About Carole Lombard?” (Screenland, June 1931)
      • “Why Carole Lombard Changed Her Mind” (Photoplay, September 1931)
      • “Why I Married Bill Powell” (Motion Picture, December 1931)
      • The New Mr. and Mrs. (Screenland, October 1931)
      • “A Heart-to-Heart Letter to Carole Lombard and Clark Gable” (Screen Guide, November 1936)
      • “Carole Lombard – The Tempo of the 20th Century” (Broadway and Hollywood Movies, June 1934)
      • “How Carole Lombard Plans a Party” (Photoplay, February 1935)
      • “How Sylvia Changed ‘Carole of the Curves’ to Svelte Carole Lombard!” (Photoplay, April 1933)
      • “Latest about Lombard” (Screenland, December 1934)
      • “Merrily She Rolls Along” (Screenland, October 1935)
      • “Sincerely — Carole Lombard” (Silver Screen, July 1935)
      • “The Evolution of a Wow!” (Movie Mirror, December 1936)
      • “The Utterly Balmy Home Life of Carole Lombard” (Motion Picture magazine, February 1937)
      • “Tripping to New York with Carole Lombard” (Silver Screen, April 1935)
      • “‘There are 7 Kinds of Love’ says Carole Lombard to Gladys Hall” (Photoplay, October 1933)
      • “Be Modern or Be a Wallflower…says Carole Lombard” (Modern Screen, August 1935)
      • “Carole and Bill Together Again!” (Screenland, July 1936)
      • “Carole Lombard Discusses — A Woman’s Dangerous Age” (Hollywood, November 1935)
      • “Carole Lombard tells: ‘How I Live by a Man’s Code'” (Photoplay, September 1937)
      • “How Will the Gable-Lombard Romance End?” (Hollywood, June 1937)
      • “She Gets Away With Murder” (Photoplay, March 1938)
      • “The Real Low-Down on Lombard” (Picture Play, January 1937)
      • “What’s Become of the Good Scout?” (Modern Screen, July 1938)
      • “Bored and Rumors” (Hollywood, December 1937)
      • “Can the Gable-Lombard Love Story Have a Happy Ending?” (Photoplay, May 1938)
      • “Lombard – As She Sees Herself” (Motion Picture, November 1938)
      • “A Loud Cheer for the Screwball Girl” (LIFE, October 17, 1938)
      • “Carole Lombard: ‘Every Actor Should Take at Least One Week’s Whirl at Publicity'” (The Hollywood Reporter, October 24, 1938)
      • “Hollywood’s Unmarried Husbands and Wives” (Photoplay, January 1939)
      • “Lombard Unlimited” (Radio Mirror, April 1939)
      • “The Clark Gables at Home” (Screenland, August 1939)
      • “What’s the Matter with Lombard?” (Modern Screen, September 1939)
      • “Will Clark Gable Ever Marry Carole Lombard?” (Motion Picture, February 1939)
      • “Blonde Beauty Grows Up” (Photoplay, May 1939)
      • “Our Home, Our Work – and Children” (Movie Mirror, November 1939)
      • … If Radio Were Under Carole’s Thumb (November, 1936)
    • 1940s
      • “Subject: Lombard” (Photoplay, January 1940)
      • “‘Help Kill Crazy Rumors about Me!’ says Carole Lombard (Mrs. Clark Gable)” (Screenland, May 1940)
      • “At Home with the Gables” (Modern Screen, August 1940)
      • “It Looked Good for a Laugh at the Time” (Silver Screen, January 1941)
      • “Selznick vs. Lombard” (Motion Picture Herald, February 1 1941)
      • “The Girl Who Learned How to Dress” (Photoplay, February 1941)
      • “The Secret of Lombard’s Success” (Modern Screen, October 1940)
      • “The Gags of the Gables…Like Crazy!” (Photoplay, April 1941)
    • Posthumous
      • “Nation Mourns Lombard Death” (The Exhibitor, January 1942)
      • “Goodbye, Carole” (Modern Screen, April 1942)
      • “A Letter to Heaven” (Screenland, April 1942)
      • “Bond Sale Up to 35 Million for Sept 16” (Motion Picture Daily, September 18 1942)
      • “The Story Gable Wouldn’t Tell” (Modern Screen, November 1942)
      • “What the Loss of Carole Lombard Means to Clark Gable” (Photoplay, April 1942)
      • “Why Gable Wants to Fight” (Motion Picture, October 1942)
      • “Clark Gable’s Haunted Love Life” (Silver Screen, August 1955)
      • “Carole Lombard – the Perfect Realist” (The Stars, 1962)
      • “Carole Lombard: Hollywood’s Leading Hostess” (American Movie Classics, June 1992)
    • “Serious Side of a Screwball” (Screenland, January 1939)
    • “Hollywood’s Goofy Gal Goes Glamorous” (Screen Book, February 1939)
    • “Two Happy People – Part One” (Movie and Radio Guide, May 1940)
    • “Two Happy People – Part Two” (Movie and Radio Guide, May 1940)
    • “Two Happy People – Part Three” (Movie and Radio Guide, May 1940)
    • “Two Happy People – Part Four” (Movie and Radio Guide, May 1940)
  • Films
    • Silent Films
      • A Perfect Crime (Allan Dwan, 1921)
      • Gold Heels (W.S. Van Dyke, 1924)
      • Dick Turpin (John G. Blystone, 1925)
      • Marriage in Transit (Roy William Neill, 1925)
      • Hearts and Spurs (W.S. Van Dyke, 1925)
      • Durand of the Badlands (Lynn Reynolds, 1925)
      • The Road to Glory (Howard Hawks, 1926)
      • Smith’s Pony (Alfred J. Goulding, 1927)
      • A Gold Digger of Weepah (Harry Edwards, 1927)
      • My Best Girl (Sam Taylor, 1927)
      • The Girl from Everywhere (Edward F. Cline, 1927)
      • Run, Girl, Run (Alfred J. Goulding, 1928)
      • The Beach Club (Harry Edwards, 1928)
      • Smith’s Army Life (Alfred J. Goulding, 1928)
      • The Best Man (Harry Edwards, 1928)
      • The Swim Princess (Alfred J. Goulding, 1928)
      • The Bicycle Flirt (Harry Edwards, 1928)
      • His Unlucky Night (Harry Edwards, 1928)
      • Smith’s Restaurant (Phil Whitman, 1928)
      • The Divine Sinner (Scott Pembroke, 1928)
      • The Girl from Nowhere (Harry Edwards, 1928)
      • The Campus Carmen (Alfred J. Goulding, 1928)
      • Power (Howard Higgin, 1928)
      • Me, Gangster (Raoul Walsh, 1928)
      • Motorboat Mamas (Harry Edwards/Phil Whitman, 1928)
      • Show Folks (Paul L. Stein, 1928)
      • Hubby’s Weekend Trip (Harry Edwards, 1928)
      • The Campus Vamp (Harry Edwards, 1928)
      • Ned McCobb’s Daughter (William J. Cowen, 1928)
      • Matchmaking Mamma (Harry Edwards, 1929)
      • Don’t Get Jealous (Phil Whitman, 1929)
    • Sound Films
      • High Voltage (Howard Higgin, 1929)
      • Big News (Gregory La Cava, 1929)
      • The Racketeer (Howard Higgin, 1929)
      • The Arizona Kid (Alfred Santell, 1930)
      • Safety in Numbers (Victor Schertzinger, 1930)
      • Fast and Loose (Fred C. Newmeyer, 1930)
      • It Pays to Advertise (Frank Tuttle, 1931)
      • Man of the World (Richard Wallace, 1931)
      • Ladies’ Man (Lothar Mendes, 1931)
      • Up Pops the Devil (A. Edward Sutherland, 1931)
      • I Take This Woman (Marion Gering, 1931)
      • No One Man (Lloyd Corrigan, 1932)
      • Sinners in the Sun (Alexander Hall, 1932)
      • Virtue (Edward Buzzell, 1932)
      • No More Orchids (Walter Lang, 1932)
      • No Man of Her Own (Wesley Ruggles, 1932)
      • From Heaven to Hell (Erle C. Kenton, 1933)
      • Supernatural (Victor Halperin, 1933)
      • The Eagle and the Hawk (Stuart Walker, 1933)
      • Brief Moment (David Burton, 1933)
      • White Woman (Stuart Walker, 1933)
      • Bolero (Wesley Ruggles, 1934)
      • We’re Not Dressing (Norman Taurog, 1934)
      • Twentieth Century (Howard Hawks, 1934)
      • Now and Forever (Henry Hathaway, 1934)
      • Lady by Choice (David Burton, 1934)
      • The Gay Bride (Jack Conway, 1934)
      • Rumba (Marion Gering, 1935)
      • Hands Across the Table (Mitchell Leisen, 1935)
      • Love Before Breakfast (Walter Lang, 1936)
      • The Princess Comes Across (William K. Howard, 1936)
      • My Man Godfrey (Gregory La Cava, 1936)
      • Swing High, Swing Low (Mitchell Leisen, 1937)
      • Nothing Sacred (William A. Wellman, 1937)
      • True Confession (Wesley Ruggles, 1937)
      • Fools for Scandal (Mervyn LeRoy, 1938)
      • Made for Each Other (John Cromwell, 1939)
      • In Name Only (John Cromwell, 1939)
      • Vigil In The Night (George Stevens, 1940)
      • They Knew What They Wanted (Garson Kanin, 1940)
      • Mr. & Mrs. Smith (Alfred Hitchcock, 1941)
      • To Be or Not To Be (Ernst Lubitsch, 1942)
  • Radio
  • Portfolio
  • About
  • Contact
  • Twitter
Search
Close

The Screwball Girl

Preserving the life and legacy of Carole Lombard

Films

Follow the links below for complete lists of Carole Lombard’s filmography.

Silent Films

Sound Films

Share this:

  • Twitter
  • Facebook

Like this:

Like Loading...
Follow The Screwball Girl on WordPress.com

Top Posts & Pages

  • Home
  • A Trip to Baltimore (December 1940)
  • Run, Girl, Run (Alfred J. Goulding, 1928)
  • "How I Live by a Man's Code," stardom, & feminism
  • "Carole Lombard tells: 'How I Live by a Man's Code'" (Photoplay, September 1937)
  • Madalynne Field: right-hand woman
  • About
  • Quick Facts
  • Mr. & Mrs. Smith (Alfred Hitchcock, 1941)
  • "The Real Low-Down on Lombard" (Picture Play, January 1937)
Blog at WordPress.com.
Back to top
  • Follow Following
    • The Screwball Girl
      • Join 27 other followers
    • Already have a WordPress.com account? Log in now.
    • The Screwball Girl
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Copy shortlink
    • Report this content
    • View post in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d bloggers like this: